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What is Smooth Jazz

Smooth jazz may have many derivatives but in general it gets its name due to its down tempo. This along with a layering lead that includes a melody-playing instrument, which typically consists of saxophones or guitars, over a backdrop such as programmed rhythms and various pads and/or samples. While this simply sounds like elevator music, smooth jazz also contains formats that have vocals and tracks from the work of artists like Simply Red or Luther Vandross, who are normally considered “soul” or “R&B”.

What differentiates smooth jazz from soul is that the music must be mellow and soft. Professionals state that there should be no disturbances on the surface, no undercurrents, nothing challenging or obtrusive in the sound. Smooth jazz stemmed out of a decision to use music to create an instrumental based format that would take the place of music of the 70s and early 80s, which had provided background music for office and business environments.

Smooth jazz was brought to the forefront of the music industry by soprano saxophone players like Grover Washington, Jr., Wayne Shorter and Nathan Davis. Wes Montgomery and Grant Green influenced the industry as well with a mellow flavor of electric guitar. Jazz-fusion ensembles such as Spyro Gyra and Bob James’ Fourplay were important in the development of the genre as well.

Most can recognize groups identified as smooth jazz within a few measures as there is a melodic tempo to its sound. Popular smooth jazz artists of today include saxophonists Kenny G, David Sanborn and Art Porter, Jr.; guitarists George Benson, Marc Antoine, and Peter White; and pianists Joe Sample, David Benoit, and Bradley Joseph. As for groups, these include; Fourplay, Pieces of a Dream, Acoustic Alchemy, and The Rippingtons. On the female performers side there is Keiko Matsui, Joyce Cooling, Mindi Abair, Candy Dulfer, Sade, Brenda Russell, Pamela Williams, Regina Belle, and Anita Baker.

Smooth jazz remained successful until 2007 when it began to show signs of waning. Music industry insiders felt smooth jazz was dying out and began pulling out of the genre. However, those in the industry say that smooth jazz concerts and record sales continue to show strong fan support.

Despite the commercial decline in the popularity of smooth jazz, many prominent stations around the United States are still playing it. Why has the popularity of smooth jazz faded? Many say it is due to a handful of factors that include a lack of compelling new music, over-reliance on instrumental cover versions of pop songs similar to the old fashioned ‘elevator music’ style, lack of revenue and the genre not being viable during the current economic crisis. Many purists of the format also feel that the smooth jazz interpretation has strayed too far from its roots in contemporary jazz and new age music by over-relying on soft urban vocals

Will smooth jazz have a place in the future? It could all depend on how creative the artists become and basically, where people’s tastes lie as time goes by.

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Home Page > Arts & Entertainment > Music > Play Jazz Guitar

Play Jazz Guitar

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Posted: Aug 04, 2008 |Comments: 0
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Jazz guitar music is based on various guitarists’ attempts to experiment with the form used to express musical ideas. Jazz began with the African slaves combining the song and dance forms they found in America with the musical traditions they carried with them from their homeland. Since then jazz musicians of every nationality have developed certain methods of taking a musical idiom and turning it into jazz by interpreting the music using jazz chord substitution and improvising techniques.

The trademark of the jazz guitar player is that he is inventing new music all the time. When people learn to play musical instruments it is usually with the aim of playing the songs or instrumentals of a famous musician. In jazz the aim is to build new music using other musical genres or the works of composers from outside jazz. A jazz guitarist with a number of years’ experience will have developed his own ways of improvising over a song or instrumental piece. Quite often his improvisation will be based on the techniques of using the notes in the chord he is playing to provide the material for his solo, or to simply use the notes he finds in the melody.

Whichever approach the jazz guitar player uses he will always depart from the melodic structure of the musical work he is improvising over and use melodic figures or “licks” which he has made up or learned from other guitarists. A lick is a combination of notes which can be used in improvising over music in any key. A lick is like a very short tune or fraction of a melody. Listen carefully to a jazz guitar solo. Try imitating some of the licks that you hear. You do not need to play them exactly, just imitate them and see how they fit with other licks to carry the solo to its ending.

Other jazz guitar techniques are the substitution of chords using other chords with more interest or color, the use of walking bass to add interest or changing the rhythm of a song. You can find examples of all these jazz guitar techniques by listening to the music of jazz guitar players like Charlie Christian, one of the pioneers of jazz guitar, Charlie Byrd, an exponent of latin jazz guitar who developed a genre of his own using classical guitar techniques to play jazz, or Wes Montgomery, a guitar player who ventured into many fields of music.

Anybody wanting to learn to play jazz guitar will be wondering what guitars give you that distinctive jazz sound. Of course you can play jazz on any guitar but when musicians think of a “jazz guitar” they usually have in mind a guitar with  “f” holes in the body, an arched top and a piezoelectric pickup. This gives that warm, expressive jazz feel that people associate with jazz guitar and is expressed so well in the work of Wes Montgomery. Epiphone is the brand name most jazz fans associate with this kind of guitar but they are also made by D’Angelico, Gibson and others.

To learn to play jazz guitar, even in a comparatively superficial sense entails listening to alot of jazz guitar music. As you listen you need to analyze what jazz guitarists do and what you, as a musician, WANT to do. Maybe you do not want to learn jazz as a genre but just to play in the style of a certain jazz guitar player. This will cut your work load considerably as you can find tabs for the work of many jazz guitar players on the internet.

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Do you want to learn to play the guitar? http://playaguitarforfree.com/ is my blog which shows you that there are many people like you who wish to learn how to play bass, acoustic or electric guitar. You will find guitar lessons, videos, articles and reviews to answer your questions, calm your fears and help you play the guitar.

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